Mezcla de lo hispano, mudéjar y flamenco en los retablos de la antigua diócesis de Leónel Maestro de Palanquinos (h. 1480-1500)

  1. Marc Ballesté Escorihuela 1
  1. 1 Universitat de Lleida
    info

    Universitat de Lleida

    Lleida, España

    ROR https://ror.org/050c3cw24

Book:
Vestir la arquitectura: XXII Congreso Nacional de Historia del Arte
  1. René J. Payo Hernanz (coord.)
  2. Elena Martín Martínez de Simón (coord.)
  3. José Matesanz del Barrio (coord.)
  4. María José Zaparaín Yáñez (coord.)

Publisher: Universidad de Burgos

ISBN: 978-84-16283-64-4

Year of publication: 2019

Volume: 1

Pages: 614-618

Congress: Congreso Nacional de Historia del Arte (22. 2018. Burgos)

Type: Conference paper

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Abstract

The Master of Palanquinos was defined by Gomez Moreno as an artistic figure. He shaped the painting from the end of the 15th century in the former Diocese of León, conferring a characteristic language to it. His style is an interesting mixture of Hispanic, Mudejar and Flemish, namely the heritage from the Castilian gothic, the decoration of Muslim origin and the language arising from the north.

Data source: Dialnet